COLLABORATIONS BETWEEN ART UNIVERSITIES AND INNOVATION ORGANIZATIONS ARE STILL RARE IN GERMANY. WHAT OPPORTUNITIES DO THEY OFFER, AND WHAT IS NEEDED TO ESTABLISH SUCH FORMATS?
CZ: No institution can tackle the major transformations of our time alone. Universities are spaces of free experimentation, independent of markets and shaped by curiosity. Young designers think boldly and unconventionally. When their creative energy intersects with the technological depth of innovation institutions like SPRIND, something new emerges: design becomes a bridge between research, technology, and everyday life. For this, we need reliable structures and the courage to collaborate early and with openness to unexpected outcomes.
AP: I firmly believe in radical collaboration. If more institutions worked this way, entirely new forms of innovation could emerge. SPRIND’s own approach already shows that collaboration is the key to the future.
THE RESULTS WERE PRESENTED AT THE FUNKE CONFERENCE IN BERLIN. WHAT SHOULD VISITORS TAKE AWAY — AND HOW WAS THE FEEDBACK?
CZ: We wanted to show that the Wallet is not only about technology but about reflecting on the future of identity — emotionally, culturally, and socially.
AP: The feedback was overwhelmingly positive. Many found it inspiring to see how students approached such a complex topic with artistic methods. It demonstrated how important it is to bring together different perspectives.